1.4.4.1 TITLES

Simple white (letters) on static black cards and crawl titles are created by first creating black (letters) on white paper, using desk-top publishing, pen and ink or rub-off (Lettraset) letters. The rule is this: Use solid black letters in a bold or block typeface (sans serif) on clean, white paper. This is because a few generations later, the serifs are lost and can look terrible. The "art" must be brought to a graphic reproduction house that does a photostat process (not a Xerox) and contact printed onto sheet film called Kodalithes (Kodak high contrast black & white sheet film). Kodalithes are high contrast B&W negatives. Where your letters were black, they would appear clear (not white) and where your paper was white, it would be solid, opaque black. Hold this Kodalithe over the light and look for unwanted pinholes of light and touch them up with an opaque ink. Place this kodalithe over an opal glass with a back light (add gels for color) and your title will glow against a solid black background. For crawl titles, electrical tape can be used to piece together a long, long Kodalithe with every credit on it (if your paste-up and mechanical skills aren't too rusty). Animate the Kodalithe moving bottom-to-top, moving it slightly with every frame (each movement should be identical or the title will speed up and slow down). Color titles over existing live footage must be done at a lab and matted in like a special effect. White titles over live footage or art work can be burned in very easily in-camera. White light burns-in over everything - without matting, but must be done in-camera before the film is processed. Whatever scene you shoot, you will have to rewind the film and double-expose the white titles over the previously exposed film immediately after you've rewound your exposed stock in the camera. It's a little tricky but not impossible if you pay attention. Your other option is to pay a lab a small fortune for matted titles, which is why all of Woody Allen's films use simple cards (he puts more cash into his movie that way).

 

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© 1993 - James Arnett all rights reserved.