Begin
by
reviewing
the
frame
numbers
on
the
edges
of
your
edited
work
print
and
indexing
them
against
the
paper
EDL
(edit
decision
list)
generated
in
the
editing
stage.
This
list
MUST
be
exact
and
complete,
noting
every
frame
as
well
as
a
total
frame
count
from
cut
to
cut.
The
frames
on
the
negative
must
be
EXACTLY
matched
to
those
on
the
work
print
using
the
EDL
as
your
primary
reference.
If
you
are
not
exactly
sure
where
every
single
frame
of
negative
goes,
go
over
your
EDL
again
and
again
until
you
fully
understand
what
you
are
supposed
to
be
cutting
before
you
cut
any
negative.
Measure
twice
-
cut
once.